by Billie Walker
An excellent crop of debut films in the past couple of years all explore painful childhoods. What does this say about the interests of the British film industry?
by David Jenkins
The intrepid British director on being one of the first people to lay their eyes on the archives of the late artist Audrey Amiss – subject of Typist, Artist, Pirate, King.
by Theo Rollason
Two decades after its release, Guy Maddin’s eccentric Prohibition era satire speaks to a contemporary obsession with corporatising pain.
by Oisín McGilloway
From La La Land to Past Lives, filmmakers are still drawing inspiration from the vivid emotional worlds of Jacques Demy. What is it about his films that continues to inspire directors?
by Lillian Crawford
A new season organised by the BFI in partnership with Thelma Schoonmaker brings many classic Powell & Pressburger films – including new restorations – to the big screen once more.
by Christina Newland
Speaking at the global press conference for Killers of the Flower Moon, Martin Scorsese provides insights into his research process and use of music, as well as discovering Lily Gladstone via Kelly Reichardt’s Certain Women.
by Paul Risker
Across seven decades, Martin Scorsese has been constructing his own vision of the United States’ bloodstained mythology.
by Charles Bramesco
Nathan Fielder and Emma Stone star as an unscrupulous property developing couple who find themselves cursed by a small child in this A24 and Showtime collaboration.
by Anton Bitel
Cannibals, ghosts, demons and housewives are on the schedule for this special spooky season round-up of all the latest in Blu-Ray and DVD releases.
by Simon Bland
The Drive director reflects on smuggling Bronson’s actual moustache out of prison and the personal story behind his ethereal biopic of the UK’s most notorious inmate.
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