by Kambole Campbell
The titular character goes his own way in a new animé that builds on the existing Scott Pilgrim canon, giving the supporting cast a chance to step up.
by Anton Bitel
A Jarmusch classic, a meta action thriller and a coming-of-age typhoon drama are among the must-see films coming to streaming and blu-ray this month.
by Hannah Strong
Following a pro-Palestine protest at the start of this year’s International Documentary Festival Amsterdam, conflict between the Israeli and Palestinian film communities has prompted numerous filmmakers to withdraw projects from the festival.
by Hugo Max
Multidisciplinary artist Hugo Max reflects on his regular series at the Prince Charles Cinema, where he improvises live scores to silent films including Nosferatu and The Cabinet of Dr. Caligari.
by Soma Ghosh
Whether it’s films produced under the constrictions of the Hays Code or hetero romance that lifts from gay culture, there’s a whole canon of cinema which has been embraced by queer cinephiles.
by Christina Newland
The visionary Indian director behind modern cult favourite The Fall reflects on the film finding its audience after 17 years, and the production of Dear Jassi – his first feature film in almost a decade.
by Xuanlin Tham
Celebrating its 30th anniversary, Tsui Hark’s take on a Chinese folktale is a breathtaking allegory for our inhospitable world.
by Nora Murphy
Emma Seligman’s Bottoms promises a queer female fight club – how does it perform in the canon of films about women carving out space for themselves in hyper-masculine worlds?
by Meg Walters
With more and more women taking an active role in film production, depictions of young women are changing. What can they tell us about the modern world?
by Nick Herrmann
With our galactic neighbours in the news as of late, it’s a good time to look back at half a century of cinema about the potential for inter-planetary friendships (or not).
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