by Lillian Crawford
Ahead of the BFI’s landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
by David Jenkins
The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
by Kyle MacNeill
For the last decade, a small group of video editors have spent hours toiling over concept trailers, delighting and duping fans eager to catch a sneak peek of an upcoming film.
by Soma Ghosh
Sav Rodgers weaves personal and pop culture history together as he unpacks the legacy of Kevin Smith’s 1997 romantic comedy.
by Nadine Mamoon
More than three decades after it was made, this landmark work defies classification – a portrait of young people caught between warring countries, attempting to have a typical childhood.
by Charles Bramesco
Annie Baker’s debut feature about a mother and daughter is magical and assured drama that announces the Pulitzer Prize winner as a filmmaking talent as well as a literary one.
Veteran filmmaker Agnieszka Holland offers a stirring, stark depiction of the refugee situation in Europe, as Syrians fleeing war face harrowing interrogation at the Polish-Belarusian border.
by Olivia Hunter Willke
Two decades on, Michael Bay’s nihilistic, hyper-violent police drama serves as a state of the union address.
Imogen Poots shines in this angular, fragmented portrait of English rose-turned-firebrand activist Rose Dugdale from Irish filmmakers Joe Lawlor and Christine Molloy.
Raven Jackson’s feature debut announces a striking visual talent, following the story of a young woman’s life in rural Mississippi.
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