by David Jenkins
This fascinating and melancholy documentary sees an Iranian exile in London looking back to the stranger-than-fiction roots of his formative cinephelia.
by Simon Bland
The writer, director and co-star of BlackBerry – an irreverent take on the rise and fall of a tech giant – reflects on his third feature while making his way across Toronto.
by Greg Cwik
Fifty years since William Friedkin unleashed a demon at the multiplex, the impressive performances of Max von Sydow and Jason Miller are as haunting as ever.
by Raine Petrie
As an anniversary restoration of Jonathan Demme and Talking Heads’ landmark concert film hits cinemas, it remains a landmark in autistic representation on screen.
by Henry Boon
Alice Russell’s new documentary captures the work of Bikestormz, a passionate community of cyclists aiming to promote community among some of the capital’s most disenfranchised kids.
by Esmé Holden
If sex scenes, or any other type of scene, don’t need to serve the plot, do they need to serve anything at all?
by Sophie Monks Kaufman
Sophie Monks Kaufman continues her deep dive into the neurodivergent coding of Wes Anderson’s cinema in this far-reaching long read.
This steamy and giddily uneven rural romance from Spanish filmmaker Isabel Coixet is almost saved by Laia Costa’s committed central performance.
This Greenland-set drama from Danish director Isabella Eklöf, about a husband and father dealing with the trauma of abuse, makes for oppressively grim and only occasionally revelatory viewing.
Through conversations with psychologists, neurodivergent friends, Jason Schwartzman and the man himself, Sophie Monks Kaufman investigates the meticulous worlds of Wes Anderson and their potent emotional frequencies.
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