An origin story is well overdue for one of popular culture’s most iconic and problematic characters.
The sequels to The Kissing Booth and To All the Boys I’ve Loved Before both feature PoC love interests, but they’re merely tokenistic distractions.
By Simon Bland
The inside story of how a goofy script by two unknown screenwriters became a beloved cult hit.
Enter our creative brief, inspired by Ben Wheatley’s latest, and you could win a signed first edition of Daphne du Maurier’s novel.
On Saturday 12 September, join in celebrating independent cinemas everywhere.
Our latest issue is a tribute to the beautiful, unnerving world of Josephine Decker’s biopic that isn’t a biopic.
The director, screenwriter and stars of the cult Canadian horror reflect on its legacy as a morbid love letter to teenage girls everywhere.
Timothée! Zendaya! Oscar Isaac! Giant sand worms! Something for everyone!
This searing drama forced me to confront the uncomfortable reality of my relatively privileged upbringing in the Middle East.
It’s difficult to think of a film that wouldn’t clear this low bar.
By Adam Scovell
Retracing the comic master’s formative years across the English capital’s southern boroughs.
Tangled passions ensnare Lily James and Armie Hammer in this update of Daphne du Maurier’s famed novel.
By Emma Fraser
Anna Konkle and Maya Erskine play versions of their teenage selves in the hit growing-pains “traumedy”.
By Anton Bitel
Kinji Fukasaku’s Graveyard of Honor and Takashi Miike’s 2002 update redefined the postwar Japanese gangster flick.
Confused by Christopher Nolan’s time-bending thriller? Our resident cartoonist has got you covered.
The French screen idol is at his most open and vulnerable in Luchino Visconti’s 1960 crime drama.
His first feature in six years chronicles the tensions between Orson Welles and Herman J Mankiewicz on Citizen Kane.
Guy Pearce’s amnesia-suffering, tattoo-covered protagonist is cinema’s ultimate unreliable narrator.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
