By Aimee Knight
Animatronic puppets, searing social commentary, this short-lived early ’90s sitcom had it all.
She’s playing the late People’s Princess in Pablo Larraín’s upcoming biopic Spencer.
The director’s regular collaborator is set to play an artist preparing the exhibition of a lifetime.
Media, memory and film history collide in Satoshi Kon’s time-bending story of a faded screen star.
By Anton Bitel
The cult director’s 1964 Edgar Allan Poe adaptation The Masque of the Red Death sees Vincent Price sell his soul.
By Adam Scovell
The British director’s controversial football hooligan drama makes great use of various domestic locales.
While we await his next feature, Benediction, there’s news of his adaptation of The Post Office Girl.
Charlie Chaplin’s debut feature as a director contains a brief moment of luxury in a film marked by scarcity.
What better way to celebrate the filmmaker’s birthday than with a gathering of his nearest and dearest.
After The Souvenir Part II, we’ll see her in the writer/director’s The Eternal Daughter.
By Anton Bitel
2000’s JSA – Joint Security Area was one of the first significant films of the so-called Korean Wave.
The French-Hungarian co-production, made by artist Nadja Andrasev, is on the longlist for this year’s Oscars.
Lost scenes from the director’s ill-fated second feature are being reconstructed with animation.
He’ll join a small cadre of filmmakers who have taken a whack at the prose of Don DeLillo.
By continuing to promote diversity in cinema, we can develop an alternative canon that includes everyone.
He’ll eat himself to death as a 600-pound man in The Whale.
The Feref Collection includes rare alternative designs for Star Wars, Aliens and more.
Andra Day plays the singer, as she’s harassed by the feds for her heroin use.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
