Articles

The uplifting, transformative coming-of-age cinema of Greta Gerwig

By Mallory Blair

A writer reflects on how watching Greta Gerwig's Little Women led to a life-changing revelation, and the comfort found in her cinema of girlhood.

Why I love a Seaside Weepie

By Lee Penfold

This subgenre of British film makes use of the many coastal beach towns around the UK – but often contrasts holidays and relaxing with characters experiencing some sort of crisis.

A first-hand account of Oppenheimer and Barbie’s censorship in Pakistan

By Adil Rahim Hyder

Social media has been fascinated by reports of a strange CGI addition in Oppenheimer for certain conservative countries – our writer reports on the reality of Barbenheimer in a country where cinema is subject to heavy government scrutiny.

The past proves that Hollywood’s unions are powerful – and that striking works

By Jessica White

As tensions mount between the WGA, SAG-AFTRA and the ATFP, it's worth looking to past examples for proof that Tinseltown's unions have changed the industry for the better.

The complicated legacy of heavy metal in cinema

By Sarah Cleary

Metal is often given short shrift at the movies, but a handful of great auteurs have used the genre and its subculture to brilliant effect.

Celebrating the sartorial cinematic legacy of Jane Birkin

By Elif Türkan Erisik

A star so stylish she had an Hermès bag named after her, Jane Birkin's effortless on and off-screen elegance has never been matched.

The Bear embraces career uncertainty and what it means to find a purpose

By Lucy Carter

As chefs Carmy and Syd grapple with the weight of their own expectations and ambition, their friends struggle to find a vocation at all. This candid approach to the difficulty of finding a purpose feels quietly refreshing in pop culture.

No spoilers please! Are movies tainted by marketing?

By Katie Kasperson

This summer’s most anticipated releases have taken wildly different – and arguably drastic – approaches to promotion. So which do fans prefer?

The powder keg performances of Cillian Murphy

By Sean Fennell

Throughout his career, the Irish accent has showcased a unique intensity combined with a pull towards characters with deep-set moral conflictions.

The hero dies at the beginning: Enter the Dragon at 50

By Micah Nathan

The film that introduced Bruce Lee to the American mainstream was sadly his last – but its power is still palpable five decades later.

Let’s eat Barbie! A journey through one doll’s wry reinventions

By Saskia Lloyd Gaiger

An exploration of parodies and subversions of the infamous doll's image, before Greta Gerwig explodes into the tongue-in-cheek canon of Barbie culture.

How dyslexia helps some of the biggest filmmakers to think differently

By Louise Conway

Recent studies have shown how people with dyslexia have enhanced abilities in originality, creativity, and reasoning. Could it be that movies can provide the perfect place to focus on the strengths of this different way of thinking?

Why I love the train chase scene in The Wrong Trousers

By Eleanor Brady

Tom Cruise and Marvel can't hold a candle to Aardman Animation's nail-biting stop animation sequence in the classic Wallace and Gromit adventure.

What to watch at home in July

By Anton Bitel

Two Altman gems, a killer shark and an assassin-for-hire are among the best films hitting streaming and physical media this month.

Here’s what it’s like to pitch your film idea at a festival

By Rupert Clague

One filmmaker shares his experiment of pitching a project at Sheffield DocFest's MeetMarket, which connects artists with a variety of people who might be able to help them realise their dream.

The Counselor was Cormac McCarthy’s unflinching portrait of the consequences of desire

By Evan Helmlinger

In his only produced screenplay, the American titan of literature painted a bleak picture of the logical endpoint of greed.

Why I love The Watermelon Woman

By Robyn Quick

Cheryl Dunye's debut feature broke the mould with its witty blend of fact and fiction – and remains a queer classic to this day.

In defence of The Bling Ring

By Katie Tobin

A decade since its release, Sofia Coppola's take on teen thieves and celebrity obsession is as sharp as ever.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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