The like-minded independent directors will venture into the Brazilian jungle for The God Beside My Bed.
The Promising Young Woman writer/director is in talks to pen the script for DC Films’ Zatanna.
By Daisy Bata
The Chancellor’s Culture Recovery Fund is a welcome lifeline, but many businesses and industry workers are being left out in the cold.
By Simon Bland
The director reflects on the making and lasting cultural impact of his 2005 dystopian thriller.
The writer/director of The Father is set to adapt his own play for his next feature film.
By Anton Bitel
Viy, Konstantin Ershov and Georgiy Kropachyov’s 1967 Gothic chiller, boasts spectacular visuals and effects.
Our resident cartoonist outline the plot of the next season of the popular royal family TV drama.
Nicolas Philibert’s 1992 documentary is a sensitive and affecting portrayal of the deaf experience.
By Adam Scovell
Jacques Tourneur’s classic take on MR James’ Gothic chiller makes use of a partly-fictional English estate.
By Keno Katsuda
Like the original Godzilla, Anno Hideaki and Higuchi Shinji’s 2016 kaiju marked a turning point in Japan’s understanding of nuclear power.
He’ll come out swinging with a massive studio project as his first stint behind the camera.
As the title suggests, the film will recount a true incident concerning some ursine narcotics antics.
Michelle Williams is in line to star as a character supposedly based on the director’s mother.
Put that in your Infinity Gauntlet and smoke it, Avengers: Endgame!
She’ll play a noblewoman seized by uncouth desire in the adaptation of DH Lawrence’s scandalous novel.
By Mark Allison
In 1971, Michael Caine recast the cheery cockney crim as a decidedly nasty and unglamorous antihero.
Limbo will capture the “political and social modernity of Mexico”, and is being lensed by Darius Khondji.
The Wan brothers and Te Wei are among the pioneering artists featured in an online film season.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
