By Terry Nguyen
Through his collaborations with Tsai Ming Liang and new work with Constance Tsang and Yeo Siew Hua, Lee Kang Sheng has created a remarkable body of work.
By Liam Murphy
Scientology's spectacular flop went down in history for all the wrong reasons. A quarter-century on, what went wrong?
As a (very loose) adaptation of Until Dawn hits cinemas, it's worth investigating the successful – and unsuccessful – attempts to explore what it feels like to play a video game on the big screen.
At a time when access to birth control and abortion is banned, restricted or under threat around the world, work by Dea Kulumbegashvili and Payal Kapadia highlights the necessity of safe options for pregnant people.
By Sam Moore
Across the cinema of Pier Paolo Pasolini, Guillermo del Toro and Brady Corbet, the evils of fascism come to light in horrifying detail.
Nestled beneath a local boozer in Lewisham, there's a lovingly restored, 86-seat cinema waiting to be discovered.
Ryan Coogler reflects on developing a story rooted in personal passions with his grand, IMAX-shot thriller, Sinners.
In Joe Wright's 2005 adaptation of Pride and Prejudice, Matthew Macfadyen managed to breathe new life into an iconic literary love interest. How did he do it?
A forthcoming conference seeks to position the ultraviolent horror franchise within academia – what might we learn from Art the Clown?
Netflix's chart-topping Adolescence is the latest in a long line of single-take stories. But would it be any worse off with a trip to the cutting room?
By Ben Smoke
It's not easy being green, but the Green Rider initiative aims to engage Hollywood's biggest names with making changes to filmmaking that could help reduce the film industry's carbon footprint.
Wes Anderson, Kelly Reichardt, Joachim Trier and Julia Ducournau are among the contenders for this year’s Golden Palm.
At the turn of the millennium tween girls had plenty of films made for them – nowadays, there's next to nothing. Why did Hollywood give up?
By Simon Bland
Despite flopping on release, Disney's heartwarming story of a dad trying to bond with his son on a summer road trip has become a cult classic – especially for people with children of their own.
By Amy Davidson
From erasure to fetishisation, it's still rare to see the nuances and lived experiences of autistic people – especially women – on the big screen.
Producing realistic baby bumps, placentas and prop babies, Cinebaby are working to improve the representation of maternity in film and television.
Tool up for an illustrated deep dive into Sinners and the radical blockbuster cinema of Ryan Coogler.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
