Jeff Goldblum plays against type to unsettling effect in this zany road movie from writer/director Rick Alverson.
By Ed Gibbs
Director S Craig Zahler follows up Brawl in Cell Block 99 with another hefty dose of ultra-violence.
Dakota Johnson dances to an unfamiliar beat in Luca Guadagnino’s surprisingly naff horror remake.
Mike Leigh recruits a top-notch ensemble for this faithful reenactment of the Peterloo Massacre.
The Coen brothers are up to their old tricks in this colourful, darkly comic anthology western.
Bradley Cooper and Lady Gaga hit all the right notes in this update of the classic Hollywood musical.
By Tom Bond
Juliette Binoche and Guillaume Canet ponder middle-age and the changing facing of book publishing in Olivier Assayas’ intellectual drama.
Emma Stone and Rachel Weisz vie for Olivia Colman’s affections in this erotic 18th century romp from Yorgos Lanthimos.
Alfonso Cuarón delivers his masterpiece with this stunning social fresco centred on a house maid in 1970s Mexico City.
Damien Chazelle’s technically accomplished Moon landing drama, starring Ryan Gosling and Claire Foy, fails to achieve lift off.
Their feature-length western will screen in competition alongside new works from Luca Guadagnino, Jennifer Kent and Alfonso Cuarón.
The writer/director will be hoping to use the festival as a launchpad for next year’s Oscars.
By Ed Gibbs
Frances McDormand unleashes hell in the blackest of black comedies, courtesy of Martin McDonagh.
By Ed Gibbs
Vince Vaughn plays against type in S Craig Zahler’s ultra-violent grindhouse romp.
By Ed Gibbs
George Clooney directs this timely and terrifically twisted fable set in 1950s suburban America.
By Ed Gibbs
Andrew Haigh’s beautifully crafted latest follows one boy’s journey of self-discovery across America.
By Ed Gibbs
William Friedkin revisits his Exorcist franchise with a bizarre doc grounded more in melodrama than cold hard fact.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
