John Carney’s microbudget musical proves that talent and creativity can result in an extraordinary cinematic experience.
As the cult Japanese hero receives a new live-action outing, we explore Ultraman’s influence on Hideaki Anno.
As multiverses and IP dominate the box office, we look back to Altman’s biting satire on the unoriginality of Hollywood.
On the centenary of a horror icon, we celebrate Christopher Lee's indelible contribution to a vampiric legend.
As Dreadnaught and Knockabout receive new restorations via Eureka Video, it's time to put this Hong Kong martial arts star in the spotlight.
Through her carefully-crafted persona and infamous publicity stunts, she was truly the first example of an A-lister famous for being famous.
As the long-suffering Mabel Longhetti, Rowlands is unforgettable in husband John Cassavetes’ portrait of a desperate housewife.
By Noah Britton
Audrey Wells’ Italian-set drama offers a comforting portrayal on female agency and the multitudes of romance.
Before she was a global superstar, the Icelandic singer was a bewitching supporting player in Nietzchka Keene’s folklore drama.
By Adam Scovell
Sixty years after its release, the acting great’s unnerving performance as vengeful convict Max Cady still packs a punch.
By Nick Joyner
Over 30 years later, Todd Haynes’ experimental documentary remains a visionary look at female celebrity.
In praise of Juho Kuosmanen’s Compartment No. 6 and a scene of human connection around shots of moonshine.
Bradley Cooper's suave carny gets his comeuppance at the climax of Guillermo del Toro's neo-noir.
Parallel Mothers and The Lost Daughter operate as engaging texts on the contradictions and complications of being a mother.
As she receives an honorary Academy Award, we celebrate Liv Ullmann’s lead turn in an Ingmar Bergman classic.
Paul Thomas Anderson centres the quintessential awkward family dinner to delightful effect.
To celebrate the release of The Worst Person in the World, we take a closer look at the locations which paint Oslo as a city of one’s own.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
