By Anton Bitel
Viy, Konstantin Ershov and Georgiy Kropachyov’s 1967 Gothic chiller, boasts spectacular visuals and effects.
By Anton Bitel
Starring Denise Richards and an animatronic dino, Tammy and the T-Rex is one of the decade’s campiest curios.
By Anton Bitel
With its surreal premise and zoological themes, Richard Franklin’s Link remains a most curious creature.
Media, memory and film history collide in Satoshi Kon’s time-bending story of a faded screen star.
By Anton Bitel
The cult director’s 1964 Edgar Allan Poe adaptation The Masque of the Red Death sees Vincent Price sell his soul.
By Anton Bitel
2000’s JSA – Joint Security Area was one of the first significant films of the so-called Korean Wave.
Our round-up of the year’s finest physical releases, some of which helped us through the dark times of lockdown.
By Anton Bitel
House of Bamboo, one of the first American features to be shot in Japan, is as hard-boiled as they come.
By Anton Bitel
Denis Villeneuve’s third feature, which respectfully dramatises a real-life school shooting, remains tragically relevant.
Ryûhei Kitamura’s frenetic, crazily-ambitious cult favourite is low-brow filmmaking at its mind-boggling best.
Tsai Ming-liang’s 2003 film, newly released on Blu-ray, is a poignant and powerful love letter to the cinema.
By Anton Bitel
Godzilla creator Ishiro Honda’s globe-trotting adventure is a strangely sweet family adventure.
By Anton Bitel
The original theatrical cut of Charles E Sellier Jr’s Silent Night, Deadly Night is now available on Blu-ray.
By Anton Bitel
The Tetsuo director is at his hyper-stylised, idiosyncratic best in this unnerving period tale.
By Anton Bitel
The Taste of Tea marks an intriguing departure from director Katsuhito Ishii’s earlier Tarantino-esque capers.
By Anton Bitel
Director Fruit Chan’s 1997 indie Made in Hong Kong captures a group of characters – and a city – in transition.
By Anton Bitel
Kinji Fukasaku’s Graveyard of Honor and Takashi Miike’s 2002 update redefined the postwar Japanese gangster flick.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
