First Person

Viggo Mortensen: ‘I love working with directors who resist explaining things’

By David Jenkins

The actor on football, festivals and films that ask lots of questions but don’t give away all the answers.

Gregg Araki: ‘Each movie I make is a snapshot of a certain time’

By David Jenkins

The mischievous indie auteur talks about the importance of shoegaze music to his new film, White Bird in a Blizzard.

Alain Guiraudie: ‘I’m dealing with my own experience of sexuality’

By Sophie Monks Kaufman

The French director has finally reached the mainstream with a murder mystery set on a gay nudist beach. LWLies met him.

Oscar Isaac: The Music Man

By David Jenkins

The Inside Llewyn Davis star chats to LWLies about getting into character for the Coen brothers’ latest.

Roger Corman in his own words

By Martyn Conterio

The self-styled ‘Pope of Pop Cinema’ talks about his amazing life as an on-the-lam moviemaker.

Mary Elizabeth Winstead’s guide to acting drunk

By Adam Woodward

The Smashed star talks us through the fine art of getting half-cut on camera.

Philip Seymour Hoffman: ‘I’m a curious guy, but I also want to shut down sometimes’

By Adam Woodward

The star of Paul Thomas Anderson’s The Master discusses his special relationship with his long-time friend and collaborator.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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