By Mark Asch
Clint Eastwood continues his stellar run of films about unlikely American heroes hunted by the spotlight.
By Anton Bitel
Floria Sigismondi’s long-delayed update of ‘The Turn of the Screw’ finally surfaces – was the wait worth it?
Robert Downey Jr takes on the famous literary physician with predictably disastrous results.
By Lou Thomas
Armando Iannucci trades satire for spirited period comedy in a Charles Dickens adaptation for the ages.
By Matt Turner
China’s vast live-streaming industry is laid bare in Shengze Zhu’s captivating documentary.
Afghan director Hassan Fazili documents his family’s persecution at the hands of the Taliban.
Private, unseen protest forges a spiritual path to God in Terrence Malick’s rhapsodic resistance drama.
Writer/director Trey Edward Shults delivers another spiky interrogation of parent-child relationships.
Destin Daniel Cretton’s biopic of wrongly incarcerated death row inmate Walter McMillian plays it a little too safe.
Your Name director Makoto Shinkai returns with a riveting fantasy romance backdropped by environmental ruin.
This starry post-#MeToo takedown of toxic masculinity grossly misrepresents its female subjects.
This gripping drama written, directed by and starring an Indigenous Canadian woman has quietly snuck onto Netflix.
Kristen Stewart is woefully miscast in Benedict Andrews’ biopic of the late screen icon Jean Seberg.
Sam Mendes’ gripping World War One drama is light on plot but displays plenty of technical panache.
After spending a decade in Hollywood, Guy Ritchie returns to his gangster roots with this all-star crime caper.
Taylor Swift, TS Eliot and Digital Fur Technology combine to disastrous effect in this feline musical folly.
The Star Wars saga comes to a close with a story that’s big on cameos and references, but short on excitement and surprises.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
