A home movie becomes an important historical artefact, revealing the devastation of the Holocaust for the Jewish residents of a small Polish town.
Adam Driver and Greta Gerwig reunite as a couple grappling with their fear of death in Noah Baumbach’s adaptation of Don DeLillo’s novel.
The Dardenne brothers return with a harrowing story of human trafficking in Belgium, centring on two young migrants.
Alexandre O Philippe traces the connection between David Lynch and Victor Fleming's The Wizard of Oz.
Ondi Timoner films the final days of her father’s life in an informative, detailed and unpolished account of assisted death.
An undocumented immigrant working as a nanny in New York faces supernatural forces in Nikyatu Jusu's spell-binding and assured feature debut.
The astonishing saga of Syrian refugee-turned-Olympic swimmer Yusra Mardini is effectively presented by writer/director Sally El Hosaini.
Benoit Blanc enters the canon of iconic movie characters with Rian Johnson’s second foray into whodunit (nu-dunit?) territory.
Maria Schrader tackles the New York Times investigation that brought down Harvey Weinstein in this well-pitched drama.
A lonely newlywed embarks on a clandestine affair with her gamekeeper in Laure de Clermont-Tonnerre’s adaptation of the classic DH Lawrence novel.
Football provides the common thread for Aleksandre Koberidze's dreamy drama set on the Rioni river.
Taylor Russell and Timothée Chalamet play a pair of young cannibals on a trans-America road trip in Luca Guadagnino's sweet, squelchy horror romance.
This retro-inspired Disney adventure yarn boasts lots of great, progressive ideas, but lacks in the imagination department.
By Ella Kemp
Anyone with fond memories of the 2007 meta-fairytale banger, Enchanted, starring Amy Adams, is in for a surprise and a treat.
Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama.
Mark Mylod's one-dimensional dark comedy serves up an undercooked feast of profoundly smug commentary.
Nathalie Álvarez Mesén's debut feature explores religious oppression and sexual desire through a Costa Rican woman's mystical awakening.
James Gray interrogates his fraught childhood in Regan-era New York City in this masterful, unflinching drama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
