Charlotte Gainsbourg

Is this Gaspar Noé’s most religious film?

By Anton Bitel

The director’s short experimental feature, Lux Æterna, plays like a panic attack before reaching a rapturous crescendo.

The Passengers of the Night – first-look review

By David Jenkins

This aimless and thin family portrait set in ’80s Paris is boosted by an affecting turn from Charlotte Gainsbourg.

Sundown – first-look review

By Sophie Monks Kaufman

Mexican cine-sadist Michel Franco returns with another cravenly bleak drama about life as a pageant of eternal suffering.

Jim Jarmusch has directed a new short film for Saint Laurent

By Charles Bramesco

Julianne Moore, Charlotte Gainsbourg, and Indya Moore appear in the nine-minute experiment.

Ismael’s Ghosts – first look review

By David Jenkins

A bizarre choice of opening film for the 2017 Cannes Film Festival, but also an invigorating and impulsive one too.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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