By Hannah Woodhead
Human resources’ worst nightmare talks about his surreal ode to collectivised action, Sorry to Bother You.
By Tom Bond
In BlacKkKlansman, the director dramatises real-life events in order to make his point.
By Matthew Eng
Boots Riley’s surrealist vision of corporate servitude is a comedy with plenty of willpower and zero apologies.
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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
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