Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are just a little too strident.
Although it doesn’t quite soar to the heights of the original, there’s a lot to enjoy in this delightful sequel.
CGI Blockbuster visuals aside, there’s much to love in Jon M Chu’s adaptation of one of Broadway’s biggest musical successes.
By Juan Barquin
This ghastly musical melodrama from Jacques Audiard tells of a Mexican cartel boss’ gender affirming surgery.
Todd Phillips recruits Lady Gaga to his circus act as Joaquin Phoenix reprises his role as the crime-committing clown about town in this shockingly amateur musical effort.
Blitz Bazawule delivers an all singing, all dancing update of Alice Walker’s harrowing story of women in postbellum Georgia.
This movie based on a musical based on a movie based on a book retains none of the biting wit that charmed audiences in its original iteration.
A young woman's dream gig on television descends into chaos in Amanda Kramer's imaginative new melodrama.
By Robyn Quick
Benjamin Millepied’s reimagining of Georges Bizet's classic opera is beautiful to behold, but lacks musical pizzazz.
Amanda Kramer's alluring, neon-lit musical feature sees a newlywed couple catapulted into a queer awakening.
A dancer and a musician form a unique friendship in Masaaki Yuasa's fantastical animated musical.
By Leila Latif
Joe Wright returns to his wheelhouse with a big-screen musical adaptation of Edmond Rostand’s Cyrano de Bergerac.
Steven Spielberg comes a-cropper in this stiff and soulless revamp of the classic Leonard Bernstein barnstormer.
By Elena Lazic
Jonathan Larson’s celebrated stage musical gets the Lin-Manuel Miranda treatment – for better and for worse.
By Corey Atad
This well-intentioned but glaringly wrongheaded adaptation of the Tony-winning musical is one of the year’s worst.
Tom MacRae and Dan Gillespie Sells’ hit West End show is fabulously translated to the big screen.
Leos Carax’s surreal, Sparks-scripted musical-of-sorts stars Adam Driver and Marion Cotillard as ill-fated lovers.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
