Alexander Skarsgård has a pretty bad trip in this vacation nightmare from body horror wunderkind Brandon Cronenberg.
Ti West pays homage in The Wizard of Oz in the prequel to his throwback slasher X – but Mia Goth really makes this one sing.
Barrel-scraping slasher twaddle which rinses a copyright loophole to desecrate the memory of AA Milne’s beloved furry friends.
By Anton Bitel
Business as usual – albeit with a side of Big Apple – for the long-running meta-slasher franchise with enough sass to get it across the finish line.
By Anton Bitel
A woman who has worked hard to hide her past finds she can't run from it forever in Nathaniel Martello-White's assured debut.
By Anton Bitel
Two men snowed in at a remote cabin await the return of their boss in Andrey Paounov's unique, existential horror.
By Anton Bitel
A young couple reeling from a violent attack play host to strange house guests in Jon Wright's Irish horror.
A tech wiz bites off more than she can chew when her pint-sized toy creation forms a strong, malevolent bond with her young niece.
Mark Jenkin's experimental 16mm horror depicts a lone botanist on a deserted island, whose relationship with her surroundings may be an indication of something sinister at play.
By Anton Bitel
A young brother and sister face their worst fears in Kyle Edward Ball's inventive microbudget horror.
An undocumented immigrant working as a nanny in New York faces supernatural forces in Nikyatu Jusu's spell-binding and assured feature debut.
Taylor Russell and Timothée Chalamet play a pair of young cannibals on a trans-America road trip in Luca Guadagnino's sweet, squelchy horror romance.
By Anton Bitel
Filmmaking duo Justin Benson and Aaron Moorhead discover an ominous paranormal entity in their meta fifth feature.
The biggest surprise of this low-key horror trilogy capper is how much better it is that its crummy, cash-in predecessors.
Hanna Bergholm's directorial debut is a cracking, artfully-crafted creature feature set in a gaudy suburban dollhouse.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
