by David Jenkins
Is Stanley Kubrick’s seminal 1968 sci-fi really the space opera to end all space operas?
by David Ehrlich
Who remembers the last good Luc Besson movie? Time to reset that particular clock, as he’s returned with a stormer.
by Paul Fairclough
This latest instalment in the Apes franchise, about the preservation of humanity, lacks any genuine human characters.
by Adam Woodward
Chris Pratt and co deliver big in Marvel’s smartest and most surprising film to date.
A weedy Crusier is dropped into a time-switching sci-fi set-up, with undeniably interesting results.
by Adam Lee Davies
Chris Evans’ welcome return to the superhero fold can’t save this sequel from feeling like an awkward franchise mid-point.
Gareth Edwards’ Godzilla is one of the great blockbusters of modern times. Believe.
by Chris Blohm
Your friendly neighbourhood web-slinger returns for more of the same, albeit with much less charm.
The trailers were right for once – Alfonso Cuarón’s disaster movie set in space is one of the year’s best.
Matt Damon suits up for Neill Blomkamp’s high-tech celestial epic. But we’re left wanting more.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.