One of the world’s biggest music artists bares her soul in this intimate, earnest docu-portrait.
Brooklyn’s finest will head up the competition jury when the festival returns for its 73rd edition.
Alice Winocour’s Proxima and Coky Giedroyc’s How to Build a Girl are among the highlights of the 16th GFF.
By Max Copeman
The Netherlands’ premier celebration of cinema returns in January with a new-look programme.
Dee Rees, Josephine Decker, Miranda July, and much, much more...
Set in the picturesque mountains of Utah, Sundance is a film lover’s paradise with a difference.
Space dogs, muscle men and a Soviet cinema icon were at the forefront of this year’s event.
ArteKino is an innovative digital film festival showcasing the crème of new European cinema.
York’s annual showcase of groundbreaking short-form cinema returned for its biggest ever edition.
By Beth Webb
Korean director Noh Young Sun reflects on her deeply personal debut feature, Yukiko.
We meet UKJFF Head Programmer Nir Cohen who explains how he plans to reach new audiences.
This year’s edition of the Montreal-based festival showed the value of giving marginalised native filmmakers a platform.
The writer-directors maps out the past, present and future of cinema through its depiction of… surgery?
This slow-burn folk horror set in old, weird England marks the auspicious return of talented British director Thomas Clay.
Director Matthew Rankin discusses his experimental debut feature The Twentieth Century.
Cosmo Jarvis shines in this portrait of flawed, inarticulate masculinity by first-time feature director Nathalie Biancheri.
By Jenna Mahale
Writer/director Sasie Sealy discusses the making of her “risky” debut feature, Lucky Grandma.
Sprawling programmes and a focus on new talent makes buying tickets a tough task. But it need not be.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
