We continue our countdown of films to look forward to, providing a little light at the end of the tunnel.
Adobe Stock is home to thousands of high-quality, non-watermarked tracks, perfect for your next project.
Filmmaker Sam O’Mahony explains how he utilised the resources at hand to make I Don’t Find Any of This Very Peaceful.
Everything is still terrible, so we’re daydreaming about the future and the embarrassment of cinematic riches yet to come.
Surviving the perils of solo creativity is tough. In the latest instalment of our series supporting artists through lockdown, Jo Thompson explains why she’s ditching synthetics for natural products.
By Thomas Hobbs
The British composer discusses how Stanley Kubrick’s use of classical music enhances his 1968 sci-fi epic.
The famed screenwriter’s new work follows the travails of failed filmmaker, critic, paramour and shoe salesman B Rosenberger Rosenberg.
Christopher Nolan’s time-fluctuation thriller has been downgraded to TBD.
By Anton Bitel
Ricky Lau’s 1985 hit Mr Vampire deftly combines knockabout comedy, martial arts, monster horror and wacky dancing.
By Will Webb
A video celebration of this acclaimed American filmmakers, ahead of the release of her latest, On the Rocks.
Cartoonist David Squires imagines how the residents of Gotham are dealing with COVID-19.
By Simon Bland
The writer/director muses on one of the best and most beloved literary adaptations of modern times.
Christopher Abbott and Andrea Riseborough star in the psycho-horror film.
Launching exclusively on PlayStation 4, Ghost of Tsushima is inspired by the world of samurai warriors.
The first and only film from Miyazaki protégé Yoshifumi Kondo stands among the studio’s best works.
An Idiot Prayer sees the musician wandering an abandoned Alexander Palace as he speaks his songs.
By Adam Scovell
Visiting the West London residence featured in Jean-Luc Godard’s legendary Rolling Stones essay film.
Sam Feder’s latest documentary, on Hollywood’s harmful transgender stereotypes, is a great conversation starter – but we need to go further.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
