Anglophile television is about to get a whole lot less polite, thanks to the director’s upcoming show.
By Shelby Cooke
Films like Velvet Goldmine and Stardust will only ever succeed at projecting a fictionalised version of the Star Man.
By Lydia Figes
Sandra Goldbacher’s coming-of-age drama from 2001 powerfully portrays the perils of female intimacy.
By Adam Scovell
Tracing the humble origins of one of horror cinema’s most celebrated and important performers.
They do a whole lot of talking and crying in the new Netflix drama from director Sam Levinson.
Fran Lebowitz and Martin Scorsese sit down for a chat about all things NYC in this engaging Netflix docuseries.
She’ll play a young woman mourning the death of her ex-husband while on holiday in the English countryside.
Here’s every piece of media the American director consumed last year, including four different viewings of Mank.
By Orla Smith
DoP Benjamin Loeb talks us through the astonishing set-piece that opens Kornél Mundruczó’s film.
The Göteborg Film Festival is offering one brave soul a once-in-a-lifetime festival experience.
As another big year for movies begins, we look ahead to new work from Chloé Zhao, Wes Anderson and Sion Sono.
From long-delayed projects to ones born out of the pandemic, here are the upcoming movies we’re most excited about.
’Tis the season for satirical cartoons lampooning your favourite festive flicks. Happy holidays!
By Thomas Hobbs
From Birds of Prey’s intoxicating mix of rap and pop music to Tamar-kali’s atmospheric Shirley score.
Our favourite new releases from this year, featuring Spike Lee, Chloé Zhao, Josephine Decker and more.
From the classic to the abstract, we count down our favourite poster designs from a highly unusual year of movies.
By Adam Scovell
Visiting the leafy London street where the pioneering Hollywood actor and filmmaker came of age.
By Thomas Hobbs
The Chicago rapper describes the moment he fell in love with Jon Brion’s dreamlike score.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
