A sinkhole threatens business in the long-running animation series’ first foray onto the big screen.
In the latest feature from Kirill Serebrennikov, a resurrected corpse is just one oddity in the surreal grab-bag.
By Anton Bitel
Renee Harmon is the eponymous Lady Street Fighter in one of the most outrageous exploitation movies ever made.
From Valley Girl to Pulp Fiction and now Licorice Pizza, the San Fernando Valley is a familiar on-screen setting.
He’ll direct The Wonderful Story of Henry Sugar with Benedict Cumberbatch in the title role.
By Meg Walters
Peter Bogdanovich’s 1972 homage to the Hollywood romantic comedies of old is chaotic, silly, and utterly joyful.
The highlight sequence of the recent Get Back documentary will be seen as never before.
We’re hitting the San Fernando Valley hard for Paul Thomas Anderson’s laid back summertime romance.
The second half of our annual survey of the most exciting cinema heading our way over the next 12 months.
From blockbusters to indies, we share our hopes and dreams for the upcoming year at the movies.
Take an exclusive look at Andrea Arnold’s new documentary, in which life and death come to the barnyard.
Alexander Skarsgård, Anya Taylor-Joy, Nicole Kidman, and Björk star in the 10th-century Icelandic epic.
Our annual countdown of the year’s finest silver screen offerings. How many have you seen?
By Zoe Kurland
In Hal Ashby’s unconventional 1971 romance, the central protagonists have very different ideas about life and death.
We celebrate our favourite film posters of the year, including Titane and The French Dispatch.
By Thomas Hobbs
From Mica Levi’s crashing, trap-infused Zola score to Emile Mosseri’s delicate piano work on Minari.
By Emma Fraser
From Squid Game to Succession, we count down our favourite small screen offerings from a bumper year.
Swiss Army Man directors Daniels – Kwan and Scheinert – reteam for this suitably out-there follow-up.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
