By Lucy Vipond
The Australian director appears to be courting younger viewers with his hotly-anticipated film about The King.
Vincent Cassel will star in The Shrouds as an inventor who devises a method of speaking to the dead.
Kate Winslet, Michelle Yeoh, and Edie Falco are among the additions to the sci-fi mega-franchise’s cast.
The directorial duo known as The Archers gave the world resplendent visions of fantasy like Black Narcissus and The Red Shoes.
Olivia Wilde returns to the director’s chair for the upcoming psycho-thriller puncturing the idyll of ’50s suburbia.
Leila Latif slinks into the presenting hot seat of LWLies’ weekly film review podcast.
Christopher Abbott also stars in the dark comedy about a pair of friends in a suicide pact.
The upcoming BARDO, False Chronicle of a Handful of Truths will get a global theatrical run before it goes online.
Amandla Stenberg, Lee Pace, Maria Bakalova, Pete Davidson, and Rachel Sennott star in the Gen-Z-fluent horror film.
The new service will be free to all, showing choice cuts from Fellini, Huston, and many others.
To celebrate the release of Happening, Picturehouse spotlight 10 creative responses from female artists, writers and creators.
The new film from the studio behind Song of the Sea and Wolfwalkers will be released by Netflix.
While Hollywood strip-mines its own IP half to death, Toho Pictures is showing the world how franchising is done.
She’s only been cast as the lover of Love Lies Bleeding’s musclebound protagonist... but still.
The Royal Hotel reunites Green with star Julia Garner, who finds herself on the receiving end of toxic masculinity once again.
The ruling came in favor of Azadeh Masihzadeh, a former student of Farhadi’s, and her documentary All Winners All Losers.
Two roads diverged in a yellow wood; one, to a black-and-white Macbeth adaptation, the other, to sexploitation homage.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
