A small domestic tiff spirals out into city-wide civil war in Catherine Corsini’s comedy-infused political drama.
Clio Barnard returns with a social realist riff on the classic romcom, and it’s one of her best films to date.
Andrea Arnold successfully adapts her social realist mode to minutely chronicle the life of an average dairy cow.
Lip-smacking provocation and saucy humour abounds in Paul Verhoeven’s rip-roaring nunsploitation romp.
Joachim Trier returns to Cannes with a keenly-observed drama about the often turbulent nature of modern romance.
Kogonada’s sci-fi-tinged family drama confirms its writer/director as one of cinema’s most vital new voices.
François Ozon takes a light-hearted look at the banality and bureaucracy of assisted suicide in his misfiring latest.
By Mark Asch
Mahamat-Saleh Haroun’s bright, hopeful film addresses the persistent issue of women’s reproductive health in present-day Chad.
Matt Damon is a father fighting for his imprisoned daughter’s release in Tom McCarthy’s tonally uneven drama.
Israeli filmmaker Nadav Lapid serves up a spiky, intelligent drama about conflict and reconciliation.
Joanna Hogg’s follow-up to her 2019 masterpiece is an immaculate study of grief and filmmaking.
Adam Driver and Marion Cotillard star in Leos Carax’s audacious rock opera about a baby with a very special gift.
Juliette Binoche excels as an undercover author in the world of low-wage domestic labourers.
Joanna Hogg joins Clio Barnard and Miguel Gomes, while Frederick Wiseman will be honoured with the Carrosse d’Or.
Wes Anderson, Leos Carax, Mia Hansen-Løve and Kogonada are among the filmmakers headed to the Croisette in July.
With Wes Anderson, Leos Carax and Paul Verhoeven locked in, we’re ready to keep the rumour mill turning.
Steve McQueen, Wes Anderson and Im Sang-soo were all set to compete at this year’s festival.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
