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Closeup of a smiling person's face in a red-tinted frame against a blurred background.
Interviews

‘Tom understood this wasn’t a film about being tough, it was about fairies’ – Nicolas Winding Refn on Bronson at 15

by Simon Bland

The Dri­ve direc­tor reflects on smug­gling Bronson’s actu­al mous­tache out of prison and the per­son­al sto­ry behind his ethe­re­al biopic of the UK’s most noto­ri­ous inmate.
Older woman in black cardigan standing in a room with bookshelves.
Review

Golda – a smokey, talky historical biopic

by David Jenkins

Helen Mir­ren dons heavy pros­thet­ics as one-time Israeli prime min­is­ter Gol­da Mair in this drab geopo­lit­i­cal retelling of the 1973 Yom Kip­pur War.

3
Anticipation
2
Enjoyment
2
In Retrospect
Two men in a theatre auditorium, one wearing a leather jacket and the other an older man in the foreground.
Festivals

Ferrari – first-look review

by Hannah Strong

Michael Man­n’s long-await­ed Enzo Fer­rari biopic is a dis­ap­point­ing­ly con­ven­tion­al and sur­pris­ing­ly rough por­trait of an auto­mo­tive icon.
A man playing a violin, his eyes closed as he performs with intensity.
Review

Chevalier

by Leila Latif

Joseph Bologne receives a gor­geous biopic that also serves as a dev­as­tat­ing reminder of a great­ness near­ly entire­ly expunged from history.

4
Anticipation
4
Enjoyment
4
In Retrospect
Close-up of a man with a serious expression, slight beard, and a checked shirt.
Incoming

Everyone, just let Quentin Tarantino cook

by Charles Bramesco

Is his new film about a movie crit­ic a stealth Pauline Kael biopic? Maybe! Who knows?
Two men performing on stage, one holding a microphone and the other playing a keyboard. The image uses a blue and white tone.

How the biopic became the new must-have IP for film studios

by William Kohler

The suc­cess of films like Elvis and Bohemi­an Rhap­sody prove that there’s still a huge appetite among audi­ences for the famil­iar­i­ty these films offer, par­tic­u­lar­ly in the age of fran­chise domination.
Man in blue suit holding a gold trophy and smiling on a red carpet event.
Incoming

Barry Keoghan-mania will continue with a Billy the Kid biopic

by Charles Bramesco

He’ll offer a human­ized, revi­sion­ist take on the gun­slinger of repute in his long­stand­ing dream project.
Two people dancing in white clothing on a dark outdoor set with water in the background.
Incoming

Paul King has signed on to direct the Tom Holland-starring Fred Astaire biopic

by Charles Bramesco

At long last, the promise of the ​“Umbrel­la” lip-sync video shall be deliv­ered upon.
A woman with an updo hairstyle embraces a man in a grey suit in a room with curtains in the background.
Review

Eiffel

by Josh Slater-Williams

A strong show­ing from Emma Mack­ey aside, this biopic of engi­neer Pierre Eif­fel is built on rocky foundations.

3
Anticipation
2
Enjoyment
2
In Retrospect
Two women with curly blonde hair, smiling and laughing in a black and white photo.
Incoming

Fame devours Ana de Armas as Marilyn Monroe in the first Blonde trailer

by Charles Bramesco

Andrew Dominik’s long-await­ed not-quite-biopic adapts Joyce Car­ol Oates’ nov­el for Netflix.