Boy Erased | Little White Lies

Boy Erased

04 Feb 2019 / Released: 08 Feb 2019

Words by Ella Kemp

Directed by Joel Edgerton

Starring Lucas Hedges, Nicole Kidman, and Russell Crowe

Two people, a man and a woman, stand in a doorway. The woman has curly blonde hair, and the man has his hand on his face, appearing distressed.
Two people, a man and a woman, stand in a doorway. The woman has curly blonde hair, and the man has his hand on his face, appearing distressed.
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Anticipation.

The Miseducation of Cameron Post dealt with conversion therapy so skilfully last year – but Lucas Hedges is very good at being sad...

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Enjoyment.

Punishing but powerful.

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In Retrospect.

It slaps, it stings and the lack of subtlety only makes the pain feel more urgent.

Lucas Hedges plays a young man strug­gling with his sex­u­al iden­ti­ty in this ten­der dra­ma from direc­tor Joel Edgerton.

The word gay’ is only men­tioned twice in Boy Erased, the impres­sive sec­ond direc­to­r­i­al effort from Aus­tralian actor Joel Edger­ton. Vic­tor Sykes (Edger­ton in front of the cam­era) is the head ther­a­pist at a con­ver­sion ther­a­py cen­tre called Lov­ing Action, which includes the G’ of LGBT in a list of per­verse behav­iours that must be absolved. Jared Eamons (Lucas Hedges), is the Boy of the title, who is both fight­ing and attempt­ing to rewrite his iden­ti­ty. It all begins when he is out­ed as gay to his father (Rus­sell Crowe), a staunch Bap­tist pastor.

Gay con­ver­sion ther­a­py isn’t allud­ed to as a hypo­thet­i­cal night­mare, but more a stone-cold boot­camp which abides by a clin­i­cal method to set its stu­dents straight. Edgerton’s affin­i­ty for gru­elling vio­lence is pal­pa­ble, as the film slaps you until you’re red raw. Its dis­turb­ing impact lies in the bru­tal­i­ty – phys­i­cal and men­tal – that allows the film to exist as more than just an edu­ca­tion­al tear­jerk­er about a cru­el and archa­ic prac­tice that still affects some 700,000 Amer­i­cans today.

Hedges is earnest and afflict­ed as Jared (based on Gar­rard Con­ley, writer of the mem­oir upon which the film is based), a teenag­er who is bat­tling his own sin­cere beliefs as much as the pro­pa­gan­da that he’s attempt­ing to map in his own mind. He dis­sects his homo­sex­u­al thoughts” and writes the names of peo­ple who have giv­en him love and pain with­in a Moral Inven­to­ry”. For a boy who can­not feel and must cat­e­gorise emo­tions by method and belief, the actor achieves pow­er and com­plex­i­ty via a mature and charged performance.

Two men embracing intimately in a dimly lit room.

There’s an absurd sense of humour at the film’s core, an almost dystopi­an anx­i­ety which swirls around the abject prac­tices, swelling to a play­ful­ly ner­vous score. Queer pop dar­ling Troye Sivan lends both his angel­ic looks and vocals, which allows for the gen­tle feel­ing of his bal­lad The Good Side’ to ease the story’s birth. But this doesn’t last, as the nar­ra­tive swift­ly jumps from Jared’s first day of faux school to his lucid flash­backs of pun­ish­ing afflic­tion with unfor­giv­ing ease.

Com­plet­ing a tri­fec­ta of trou­bled, beau­ti­ful boys is, sur­pris­ing­ly, the Cana­di­an film­mak­er Xavier Dolan. Through an effort­ful South­ern twang and sad, sullen eyes, he anchors his role as a friend with the vul­ner­a­bil­i­ty of a pas­sion­ate teen who’s still ter­ri­fied of the pos­si­bil­i­ties of his own emo­tions. The bal­ance in these rela­tion­ships gives the film’s sense of cri­sis-rid­den mas­culin­i­ty a depth that feels with­in reach, rather than just preach­ing a buzz­word-friend­ly les­son in men­tal health.

It is, in the end, the film’s alarm­ing lack of sub­tle­ty which allows it to thrive. Instead of just tick­ling your tear ducts, it is unapolo­getic in its depic­tion of the vin­dic­tive phys­i­cal­i­ty of con­ver­sion ther­a­py. This, cou­pled with Edger­ton and Hedges’ con­fi­dence and resolve, lands a suck­er punch that leaves an after­taste of neces­si­ty rather than sen­ti­men­tal­i­ty. Where Desiree Akhavan’s The Mise­d­u­ca­tion of Cameron Post has a free-spir­it­ed effer­ves­cence that could not and nev­er would tame the car­nal teenage girl, Boy Erased fights with­out lust and claws for sur­vival in a stir­ring real­i­ty that hurts before it can heal.

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