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Intense red and orange hues; abstract, moody composition with silhouetted figure.
The Oscar Goes To...

Why The Batman should win the Oscar for Best Cinematography

by Henry Bulmer

Tak­ing inspi­ra­tion from neo-noir, Matt Reeves and Greig Fras­er cre­at­ed a brood­ing, impact­ful visu­al lan­guage for their take on the Caped Crusader.
A portrait of a man with a beard and blue eyes, set against a pink cityscape background.
Interviews

Matt Reeves: ‘I didn’t know if Rob would want to come back to a blockbuster’

by Kambole Campbell

The man behind the return of Gotham’s favourite son reveals why Robert Pat­tin­son was his first and only choice.
Dark figure of Batman wearing black costume and mask, standing in a dimly lit room.
Review

The Batman

by Adam Woodward

Robert Pattinson’s grunge prince vows to wash the scum off Gotham’s streets in Matt Reeves’ noirish detec­tive thriller.

3
Anticipation
4
Enjoyment
3
In Retrospect
Caped figure stands before futuristic vehicle, dark silhouette against smoke-filled background.

A requiem for Batfleck

by Victoria Luxford

Ben Affleck’s short-lived Bat­man deserved bet­ter than to end up on the DC scrapheap.
Two men, one in a Superman costume and the other in casual clothing, sharing a gaming console and drink at an event.
Long Read

It’s time to take a serious look at Zack Snyder

by David Jenkins

He rein­vent­ed the com­ic-book movie. He filmed the unfilmable. So why doesn’t the Bat­man V Super­man direc­tor get respect?