by Adam Woodward
Brad Pitt is in scintillating form in this shameless PR exercise, which also happens to be one of the year’s most purely entertaining cinematic experiences.
Nick Love and Danny Dyer are back with yet another boorish, small-minded take on the football hooligan genre.
Adam Woodward reflects on the importance of a cup of coffee in David Lynch’s Hollywood neo-noir.
Leigh Whannell follows up The Invisible Man with another present-day revival of a Universal Monster. This one bites.
The director of the original series discusses its creation and legacy ahead of a new tour of his cult behind-the-scenes film, Oxide Ghosts.
The latest instalment in the simian cinema canon is a weak follow-up to the narrative established in its predecessors, as monkey in-fighting develops between various tribes.
Thomas von Steinaecker flips the camera on one of Germany’s favourite filmmaking sons, investigating his long and far-reaching career.
Anthony Hopkins is sensational in James Hawes’ otherwise fairly conventional biopic of Nicholas Winton, who was responsible for rescuing hundreds of Jewish children from Nazi-occupied Czechoslovakia.
Gather round and listen close… Paul King’s dazzling prequel to Roald Dahl’s beloved story is a joyous expression of pure imagination.
Tom Cruise and co gear up for another high-stakes mission, but it’s diminishing returns amid all the ambitious action.
The writer/director of Glass Onion talks musicals, murder mysteries, and the sartorial secrets of master detective Benoit Blanc.
The late French New Wave icon was affectionately sent up on the cult 1990s late-night show.
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