The latest from Romanian filmmaker Cristi Puiu comprises four salty slices of pandemic-era life which range from the outwardly comic to the overtly grizzly.
Cristi Puiu takes viewers on an intellectual odyssey with this stripped-back period drama set in a Transylvanian mansion.
Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.
This year’s Transylvania International Film Festival showcased a wealth of homegrown talent.
New features from Cristi Puiu and Ali Abbasi brought a gothic flavour to this year’s festival.
By Dana Knight
Directors like Bogdan Mirică are challenging their national cinema’s austere image.
One of the progenitors of the Romanian New Wave returns to the Cannes competition with a rambling family drama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
