Cannes

The Man Who Killed Don Quixote will close the 71st Cannes Film Festival

By Adam Woodward

Terry Gilliam’s epic passion project is set to receive its world premiere on 19 May.

Gaspar Noé is unveiling his new film at the 50th Directors’ Fortnight

By David Jenkins

The French provocateur will be joined by Ciro Guerra and Debra Granik at the 2018 Cannes Film Festival.

The Cannes Film Festival just announced its most diverse line-up ever

By David Jenkins

Jean-Luc Godard, Spike Lee and Alice Rohrwacher are set to compete for this year’s Palme d’Or.

Does Netflix deserve a place at Cannes?

By Georgina Guthrie

The festival has caused a stir by banning the digital distributor from its official competition.

25 films we’d like to see at the 2018 Cannes Film Festival

By Little White Lies

Claire Denis, Yorgos Lanthimos and Terrence Malick could be competing for this year’s Palme d’Or.

Watch the first teaser trailer for the new Noah Baumbach movie

By Little White Lies

The Meyerowitz Stories (New and Selected) is the latest NY-set ensemble comedy from the director of Frances Ha.

Cannes Film Festival 2017: Palme d’Or predictions

By David Jenkins

Three scenarios for who might win big at this year’s prize giving.

The Florida Project – first look review

By David Jenkins

A shot of pure cinematic joy from Tangerine director Sean Baker – and a big highlight of the 2017 Cannes Film Festival.

Lover For a Day – first look review

By David Jenkins

Another quietly astounding monochrome miniature on love and other demons from the great French director Philippe Garrel.

Visages Villages – first look review

By David Jenkins

Agnès Varda douses the French landscape with art with the help of her new friend JR in this wonderfully eccentric road movie.

Is this the Cannes 2017 competition line-up?

By Little White Lies

We predict 20 titles that might just make an appearance at the world’s greatest film festival in May.

In Praise of Taxi Driver

By Jen Grimble

How a 33-year-old Martin Scorsese shook the film world when he brought his nihilistic neo-noir to Cannes.

Watch the first trailer for Park Chan-wook’s The Handmaid

By Little White Lies

Sarah Walters provides the literary source for the Korean maestro’s Cannes-bound latest.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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