By Meg Walters
With more and more women taking an active role in film production, depictions of young women are changing. What can they tell us about the modern world?
A writer reflects on how watching Greta Gerwig's Little Women led to a life-changing revelation, and the comfort found in her cinema of girlhood.
Social media has been fascinated by reports of a strange CGI addition in Oppenheimer for certain conservative countries – our writer reports on the reality of Barbenheimer in a country where cinema is subject to heavy government scrutiny.
Greta Gerwig's behemoth blockbuster is a stranger, more fascinating film than its hyper-corporate marketing would suggest.
An exploration of parodies and subversions of the infamous doll's image, before Greta Gerwig explodes into the tongue-in-cheek canon of Barbie culture.
Margot Robbie dons a great many outfits as the iconic children’s plaything in Greta Gerwig's technicolour dreamland.
By Joshua Price
Greta Gerwig and Christopher Nolan are two modern auteurs with more in common than an upcoming summer release date...
Director Kelly Walker explains how she came up with a novel solution to a creative problem.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
