By Leila Latif
Saoirse Ronan, Paul Mescal and Aaron Pierre star in Garth Davies' unnerving sci-fi drama, based on Iain Reid's novel about a couple's disturbed existence in an America ravaged by climate change.
DC plunders the musty vaults for material and comes up with a poppy Latino riff on the boilerplate superhero yarn.
Eccentric French director Quentin Dupieux is totally dégagé about the ludicrous lameness of his latest comedy.
The extinction of the human race is on the table with this join-the-dots seventh entry to the apparently beloved fighting robot-based mega franchise.
Chie Hayakawa’s dystopian drama about a government-sponsored euthanasia programme is affecting, but leaves key questions unexplored.
Pierre Földes' debut feature is an animated adaptation of a several short stories by celebrated Japanese author Haruki Murakami.
Adam Driver stars as a pilot stranded in the Cretaceous period in this bafflingly undercooked sci-fi action flopbuster.
By Jake Cole
Scott Lang and his pint-sized family of heroes face off against Kang the Conquerer in this latest uninspiring Marvel outing.
A tech wiz bites off more than she can chew when her pint-sized toy creation forms a strong, malevolent bond with her young niece.
A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
This retro-inspired Disney adventure yarn boasts lots of great, progressive ideas, but lacks in the imagination department.
Writer/director Ryan Coogler expands his colonialist critique in this epic MCU sequel which also pays moving tribute to the late Chadwick Boseman.
A group of coltan miners form an anti-colonialist computer hacker collective in Saul Williams and Anisia Uzeyman's Afrofuturist musical.
A dream auditor becomes caught up with an ageing eccentric in Kentucker Audley and Albert Birney's highly imaginative feature.
By Sarah Cleary
Extreme surgery replaces sex in body horror maestro David Cronenberg’s ambitious blends of science fiction and film noir.
A lean monster-slasher B-movie set in the Predator universe that’s a highlight of an extremely patchy franchise.
Taika Waititi returns to the MCU five years after Thor: Ragnarok with a disappointing sequel sorely lacking in charm and imagination.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
