Back in cinemas this week, Hideaki Anno’s feature-length finale breaks hearts, bodies, and the fourth wall.
Timothée Chalamet excels as space prince Paul Atreides in Denis Villeneuve’s spectacular widescreen epic.
Tom Hardy returns as the reporter with an extraterrestrial monkey on his back in Andy Serkis’ zany comic book sequel.
Maria Schrader’s slightly flat sci-fi romance sees Dan Stevens play a humanoid robot designed for love.
James Gunn doubles down on his crass brand of humour in this charmless, unfunny and facile franchise redo.
Scarlett Johansson’s super assassin finally gets a solo run out in this enjoyable adventure about messed up families.
Ben Wheatley goes back to basics in this understated yet supremely effective 21st century folk horror.
Silence is less than golden in this occasionally effective blockbuster sequel which trades horror for action.
Two of cinema’s most iconic monsters square off in Adam Wingard’s underwhelming IP crossover.
An amnesia-causing virus threatens a young couple, played by Olivia Cooke and Jack O’Connell.
Mike Cahill’s disastrous sci-fi parable sees Owen Wilson and Salma Hayek slip into a simulated realty.
There’s plenty of pizzazz in Patty Jenkins’ DC sequel, but it lacks the charm and personality of its predecessor.
By Anton Bitel
Joe Manganiello stars in this sort-of superhero origin story from director Adam Egypt Mortimer.
George Clooney directs and stars in this drably conventional sci-fi drama about the power of human connection.
By Leila Latif
Brandon Cronenberg follows up his impressive debut Antiviral with a visceral slice of hallucinatory ultraviolence.
The Wyld Stallyns return after nearly three decades out of the saddle. The result could hardly be more excellent.
A stoppable force meets an infinitely movable object in Christopher Nolan’s continuum-shattering sci-fi thriller.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
