Nicholas Hoult plays Count Dracula’s long-suffering servant in Chris McKay’s underwhelming horror-comedy.
The team behind Game Night offer a peppy spin on the classic 1970s roleplaying game, with Chris Pine as a rogue seeking revenge on those who have wronged him.
Léa Mysius crafts an enigmatic tale about a young girl with a magical sense of smell in her auspicious second feature.
A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
Writer/director Ryan Coogler expands his colonialist critique in this epic MCU sequel which also pays moving tribute to the late Chadwick Boseman.
Miryam Charles' debut is a stunning drama that takes direct inspiration from her cousin's unexpected death.
A dancer and a musician form a unique friendship in Masaaki Yuasa's fantastical animated musical.
A dream auditor becomes caught up with an ageing eccentric in Kentucker Audley and Albert Birney's highly imaginative feature.
Mad Max director George Miller returns to the big screen with an adaptation of modern-day fable The Djinn in the Nightingale's Eye.
Taika Waititi returns to the MCU five years after Thor: Ragnarok with a disappointing sequel sorely lacking in charm and imagination.
Director Sam Raimi injects some much needed personality into Marvel’s latest brand-building exercise.
A tale as old as time gets a cyberspace makeover in Mamoru Hosoda’s reimagining of Beauty and the Beast.
By Sam Bodrojan
All hail the new flesh in Julia Ducournau’s dreamlike fable of a fractured young dancer grappling with the fire inside her.
Tom Holland’s third solo Spidey outing brings some familiar faces to the party, but we’ve seen it all before.
By Aimee Knight
Céline Sciamma puts a time-loop spin on the classic coming-of-age tale with this gentle family fairy tale.
Chloé Zhao remixes the Marvel Cinematic Universe template with this ethereal take on the classic superhero saga.
This time-travelling neo-giallo from Edgar Wright contains a few stunning sequences, but flubs the final act.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
