Drama

La Cocina review – powered by Raúl Briones’ manic performance

By Hannah Strong

Tensions flare between front of house and kitchen staff in Alonso Ruizpalacios' Times Square restaurant-set drama.

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The End review – charming, apocalyptic musical melodrama

By Katherine McLaughlin

Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are just a little too strident.

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When Autumn Falls review – another year, another Ozon

By David Jenkins

This lightweight Chabrolian country drama from François Ozon sees an elderly retiree with a complex past trying to do right by her family.

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Sister Midnight review – a droll, strange, cool freak of a film

By Anton Bitel

Karan Kandhari’s film about a misanthropic newlywed giving into her feral impulses is an unpredictable, genre-bending delight.

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On Falling review – Solidly-made slice of Loachian miserablism

By David Jenkins

The dire lot of a low-paid factory worker is the subject of this rigorous if hardly revelatory character study from debut director Laura Carreira.

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Marching Powder review – a proper, proper gaffe

By Adam Woodward

Nick Love and Danny Dyer are back with yet another boorish, small-minded take on the football hooligan genre.

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The Last Showgirl review – dreamy and low-key to a fault

By Mark Asch

Pamela Anderson excels as an over-the-hill Vegas showgirl seeing out her notice period in this low-key, vibey backstage drama from Gia Coppola.

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I’m Still Here review – memory as resistance

By Rafa Sales Ross

Walter Salles returns to narrative filmmaking with a sensitive depiction of the forced disappearance of former congressman Rubens Paiva, and the devastation his family faced.

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September Says review – uncanny and tender

By Hannah Strong

Two sisters share an unshakable bond in Ariane Labed's uniquely strange feature debut.

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Bridget Jones: Mad About the Boy review – pleasant but forgettable

By Hannah Strong

Renée Zellweger dons her big knickers again as the frazzled heroine, this time getting her groove back after her husband's death.

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Cottontail review – Lily Franky gives another stunning performance

By Josh Slater-Williams

Lily Franky stars in this tender tale about a father and son travelling from Tokyo to the Lake District to scatter his late wife's ashes.

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Memoir of a Snail – a stop-motion marvel with a dark heart

By David Jenkins

The life of a snail-fixated loner plays out as a series of disasters in this stridently emotional animated feature from Australian filmmaker, Adam Elliot.

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The Seed of the Sacred Fig review – a melodrama of resistance

By Mark Asch

An Iranian judge appointed to Tehran's Revolutionary Court grapples with dissent both at work and at home in Mohammad Rasoulof’s politically charged thriller.

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The Fire Inside review – a sporting biog that lacks originality

By David Jenkins

Rachel Morrison directs a script by Barry Jenkins with this sadly-underwhelming underdog boxing biopic of Claressa “T-Rex” Shields.

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Bring Them Down review – a chilling neo-western

By Hannah Strong

Tensions reach fever pitch in a rural Irish farming community in Christopher Andrews' fierce feature debut.

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By the Stream review – burrows under your skin

By David Jenkins

Korean director Hong Sang-soo returns with this playful study of creation, performance and why films don’t need audiences to be successful.

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Saturday Night review – unappealing nepo baby triumphalism

By Mark Asch

Jason Reitman pans back to 1975 and Lorne Michaels' ambitious plans for a live broadcast sketch show in his fanfiction retelling of SNL's inception.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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