Ali Abbasi crafts a thriller ripped from the headlines in this story of 'The Spider Killer' who targeted female sex workers in Mashhad, Iran.
By Ege Apaydın
Cate Blanchett is on top form as a conductor who experiences a swift fall from grace in Todd Fields' piercing psychodrama.
Sam Mendes recruits Olivia Colman and Michael Ward for this mawkish tale of seafront woes and the healing power of movies.
This corny English-language remake of 2015 Swedish hit, A Man Called Ové, sees Tom Hanks seriously lowering his standards.
By Rógan Graham
Chinonye Chukwu directs a magnificent Danielle Deadwyler and Jalyn Hall as they play Emmett Till and his grieving mother, Mamie.
By Juan Barquin
François Ozon fanboys over Fassbinder (again!) with this reimagining of 1972’s The Bitter Tears of Petra Von Kant.
Damien Chazelle's big-budget tale of big dreams in 1920s Hollywood hits an alarming number of bum notes.
The heartbreaking story of Jennifer and June Gibbons feels undersold by Agnieszka Smoczynska's drama.
Adam Driver and Greta Gerwig reunite as a couple grappling with their fear of death in Noah Baumbach’s adaptation of Don DeLillo’s novel.
The Dardenne brothers return with a harrowing story of human trafficking in Belgium, centring on two young migrants.
An undocumented immigrant working as a nanny in New York faces supernatural forces in Nikyatu Jusu's spell-binding and assured feature debut.
The astonishing saga of Syrian refugee-turned-Olympic swimmer Yusra Mardini is effectively presented by writer/director Sally El Hosaini.
Maria Schrader tackles the New York Times investigation that brought down Harvey Weinstein in this well-pitched drama.
Football provides the common thread for Aleksandre Koberidze's dreamy drama set on the Rioni river.
Taylor Russell and Timothée Chalamet play a pair of young cannibals on a trans-America road trip in Luca Guadagnino's sweet, squelchy horror romance.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
