Raine Allen-Miller's love letter to Peckham is a welcome addition to the British rom-com canon, with standout performances from Vivian Oparah and David Jonsson.
Bobby Farrelly goes it alone with this warm but cliched remake of a Spanish language film, in which Woody Harrelson plays a temperamental basketball coach.
A rag-tag group must outwit a bear on a drug-filled rampage in an American national park in Elizabeth Banks' gory comedy-thriller.
Mike Lane swaps Miami for London in this frustratingly underwhelming and unsexy threequel.
A filmmaker sets out to document her best friend's arranged marriage in Shekhar Kapur's culture clash romantic comedy.
Adam Driver and Greta Gerwig reunite as a couple grappling with their fear of death in Noah Baumbach’s adaptation of Don DeLillo’s novel.
Benoit Blanc enters the canon of iconic movie characters with Rian Johnson’s second foray into whodunit (nu-dunit?) territory.
This retro-inspired Disney adventure yarn boasts lots of great, progressive ideas, but lacks in the imagination department.
By Ella Kemp
Anyone with fond memories of the 2007 meta-fairytale banger, Enchanted, starring Amy Adams, is in for a surprise and a treat.
Alejandro G Iñárritu grapples with creative fulfilment and the Mexican diaspora in his sprawling, semi-autobiographical surrealist drama.
By Anton Bitel
Filmmaking duo Justin Benson and Aaron Moorhead discover an ominous paranormal entity in their meta fifth feature.
Billy Eichner and Nicholas Stoller's gay rom-com isn't as groundbreaking or as romantic as it likes to think it is.
Swedish provocateur Ruben Östlund takes us aboard the luxury cruise from hell in his latest over-the-top satire.
George Clooney and Julia Roberts take to Bali in a hollow-hearted reminder of why the modern romcom is in decline.
Martin McDonagh deploys his signature acerbic wit to an affectionate folktale as he reunites with Brendan Gleeson and Colin Farrell.
An animated crocodile with the voice of an angel spreads New York cheer in this breezy and highly likeable family diversion.
By Mark Asch
Peter Farrelly’s follow-up to his Best Picture winner Green Book is a hokey Vietnam tall tale.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
