by Adam Woodward
Not even Werner Herzog can’t save this slick but mediocre Tom Cruise vehicle.
by Andrew Schenker
Ang Lee’s dazzling CG dreamworld basks in the danger of sea-bound solitude, but it all cloaks a big, banal religious metaphor.
The director of Kill List and Down Terrace returns with a camp comedy caper about pair of cagoule-sporting serial killers.
by David Jenkins
Alex Garland takes another sweep at bringing the infamous 2000AD strip to the screen. The results are sensational.
by Little White Lies
In the spirit of this gung-ho tale about a militarist old boys network, three reviewers sit down for a chat about The Expendables 2.
Christopher Nolan’s baroque opus is a worthy trilogy closer, both seriously epic and epically serious.
by Matt Bochenski
Despite a few comic book movie trappings, The Amazing Spider-Man is a major success story.
by Adam Lee Davies
Joss Whedon’s Marvel maelstrom is a shiny, caged beast of a film that delivers on its every promise.
Peter Berg’s blockbusting board game ripoff has more rough edges than a sandpaper Rubik’s Cube.
Twenty minutes of Dubai-based blockbuster gold aside, Ghost Protocol is kind of flat, inert and not all that exciting.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.