by Adam Woodward
Matt Damon suits up for Neill Blomkamp’s high-tech celestial epic. But we’re left wanting more.
by David Jenkins
Werner Herzog’s 1972 masterpiece returns to the big screen, which is a cause for major celebration.
Cumberbitches rest easy: JJ Abrams ably navigates the USS Enterprise through dark skies.
The superhero movie gets a Dickensian meta-comedy treatment care of writer/director Shane Black.
How could a gore-flecked take on the beloved Brothers’ Grimm fairy tale turn out to be such a write-off?
by Chris Blohm
Riffing on the 8‑bit icons of retro arcade games, Wreck-It Ralph is strictly B‑grade Disney.
Not even Werner Herzog can’t save this slick but mediocre Tom Cruise vehicle.
by Andrew Schenker
Ang Lee’s dazzling CG dreamworld basks in the danger of sea-bound solitude, but it all cloaks a big, banal religious metaphor.
The director of Kill List and Down Terrace returns with a camp comedy caper about pair of cagoule-sporting serial killers.
Alex Garland takes another sweep at bringing the infamous 2000AD strip to the screen. The results are sensational.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.