The latest film from Pearl Studio and celebrated animator Glen Keane arrives on Netflix this year.
Hannah Strong delves into the myriad thrills and spills of MTV’s finest export.
I loved Steven Spielberg’s film growing up, but its offensive Indian stereotypes make it hard to watch today.
By Emma Fraser
HBO’s prequel series sees Matthew Rhys take on the role of the famed Los Angeles defence lawyer.
The Ad Astra director is in the early stages of prepping his next feature, Armageddon Time.
By Kia Rahnama
The director’s controversial 1982 thriller subverts the “white saviour” myth still perpetuated by Hollywood.
By Sally Nolan
The patronising psychiatrist’s explanation strips away the mystery and fear that Hitchcock so impressively builds.
Thirty years ago, Gremlins 2: The New Batch and Dick Tracy arrived in one fell swoop of auteurist mania.
By James Palmer
Themes of bisexuality and polygamy are subtly veiled in 1940’s My Favorite Wife.
The video-sharing platform has taken the world by storm, and the film industry is starting to take note.
By Erik Nielsen
Dismissed by critics at the time, this sometimes ridiculous corporate satire from 2004 has lost none of its bite.
By Emma Fraser
A young women’s life is derailed by sexual assault in this painfully honest yet humorous 12-part drama.
By Leigh Singer
Comparing the classic Rat Pack heist caper with Steven Soderbergh’s equally star-studded early noughties update.
By Anton Bitel
After Midnight confirms co-directors Jeremy Gardner and Christian Stella as among most exciting talents working in American independent horror today.
Cartoonist David Squires intercepts Instagram posts from a group of friends’ Swedish gap year trip.
Isao Takahata’s unrealised passion project was intended as a follow-up to Grave of the Fireflies.
Aya and the Witch tells the story of the smartest girl in the world and her hex-casting companion.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
