As lockdown in the UK eases, Sophie Monks Kaufman reflects on the value of cultural exchange on a personal and societal level.
Our latest print edition brings together two of life’s foremost pleasures.
Strasbourg 1518 pairs the Under the Skin director and composer with an ensemble of world-class dancers.
From Spaghetti western classics to the Tarantino pictures they inspired, a master’s digest.
Hausu director Nobuhiko Obayashi’s penultimate film, Hanagatami, is as surreal as it is moving.
As the UK’s pubs prepare to reopen, cartoonist David Squires advises against making plans for August...
In 1972’s Female Prisoner #701: Scorpion, Meiko Kaji emerged as a bona fide, badass star.
By Brian Quinn
Beyond its anti-war rhetoric, the Czech director’s version of the Broadway musical is a story of same-sex love.
Dorothy Arzner gave Golden Age female stars like Katharine Hepburn and Rosalind Russell intelligent, complex roles.
The miniseries exploring the activist and football star’s formative experiences will run on Netflix.
Kirill Serebrennikov and Taraneh Alidoosti have been critical of their respective states in recent weeks.
By Anton Bitel
Sean S Cunningham’s The New Kids sees James Spader terrorise a group of upwardly-mobile youths.
Lindsay Anderson’s spiky Thatcher-era comedy is the perfect sign off to his Mick Travis trilogy.
Virginie Despentes and Coralie Trinh Thi explore sexual agency, trauma and the power of female friendship in this controversial 2000 thriller.
By Adam Scovell
A visit to two London locations featured in Michael Powell and Emeric Pressburger’s Technicolor masterpiece.
Nisha Parti and Indira Varma discuss their experiences in the industry, and why they’re optimistic for change.
Leonardo DiCaprio is also producing the narrative adaptation of the film Virunga.
Surviving the perils of solo creativity is tough. In the latest instalment of our series supporting artists through lockdown, Bobbie Cousins evokes a world that’s seldom seen.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
