By Anton Bitel
The genre maestro’s dystopian thriller feels eerily prescient in its depiction of a broken police state.
By Beth Webb
Show writer Bruce Vilanch reflects on the strange legacy of this psychedelic seasonal folly.
The late Soviet director’s 1998 satire is said to have inspired Armando Ianucci’s The Death of Stalin.
British writer/director Charlotte Regan’s latest work screens on Channel 4 as part of Random Acts.
Watch a surreal promotional short for the director and Angelo Badalamenti’s debut jazz LP ‘Thought Gang’.
Suzy Bannion is put through the wringer in Dario Argento’s 1977 horror classic. Why, in the end, is she so happy about it?
By Adam Scovell
The American star led something of a tragic life, but she will forever be remembered for her role in Jean-Luc Godard’s debut feature.
By Steve Timms
The influence of Adrian Lyne’s 1990 psychological horror, starring Tim Robbins and Elizabeth Peña, far outstretches its modest success.
Max Fleischer, creator of Betty Boop and the rotoscope, was one of the great cartoonists of the 20th century.
By James Morton
The Scottish stand-up’s “love letter to single people” brilliantly challenges unrealistic ideas of romance.
By Lara C Cory
Colin Eggleston’s 1978 film emerged from one of Australian cinema’s boldest and most productive periods.
Our latest print edition pays tribute to Alfonso Cuaròn’s personal ode to movies, Mexico and the woman who made him a man.
By Will Sloan
The cult director’s long-lost sexploitation comedy is finally being released on home video.
The producer of Born a Rebel speaks about the challenge of documenting more than a century of female protest.
By Leigh Singer
Video essayist Leigh Singer explores the use of the first-person perspective in horror cinema.
By Adam Scovell
Visiting Guilford Cathedral, the grand, eerie centrepiece of Richard Donner’s horror classic.
By Grace Lee
Grace Lee searches for meaning amid the so-called monstrosity of this superlative 2017 horror.
By Anton Bitel
Bernard Rose’s cult 1992 horror, based on a Clive Barker short story, tackles sex, class and race in inner-city Chicago.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
