Virginie Despentes and Coralie Trinh Thi explore sexual agency, trauma and the power of female friendship in this controversial 2000 thriller.
By Adam Scovell
A visit to two London locations featured in Michael Powell and Emeric Pressburger’s Technicolor masterpiece.
Nisha Parti and Indira Varma discuss their experiences in the industry, and why they’re optimistic for change.
Leonardo DiCaprio is also producing the narrative adaptation of the film Virunga.
Surviving the perils of solo creativity is tough. In the latest instalment of our series supporting artists through lockdown, Bobbie Cousins evokes a world that’s seldom seen.
The latest film from Pearl Studio and celebrated animator Glen Keane arrives on Netflix this year.
Hannah Woodhead delves into the myriad thrills and spills of MTV’s finest export.
I loved Steven Spielberg’s film growing up, but its offensive Indian stereotypes make it hard to watch today.
By Emma Fraser
HBO’s prequel series sees Matthew Rhys take on the role of the famed Los Angeles defence lawyer.
The Ad Astra director is in the early stages of prepping his next feature, Armageddon Time.
By Kia Rahnama
The director’s controversial 1982 thriller subverts the “white saviour” myth still perpetuated by Hollywood.
By Sally Nolan
The patronising psychiatrist’s explanation strips away the mystery and fear that Hitchcock so impressively builds.
Thirty years ago, Gremlins 2: The New Batch and Dick Tracy arrived in one fell swoop of auteurist mania.
By James Palmer
Themes of bisexuality and polygamy are subtly veiled in 1940’s My Favorite Wife.
The video-sharing platform has taken the world by storm, and the film industry is starting to take note.
By Erik Nielsen
Dismissed by critics at the time, this sometimes ridiculous corporate satire from 2004 has lost none of its bite.
By Emma Fraser
A young women’s life is derailed by sexual assault in this painfully honest yet humorous 12-part drama.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
