Mark Cousins returns with an essay feature on the doodles and draftsmanship of Orson Welles.
Orson Welles is some kind of a man in this grisly, ultra-melancholic border-town noir from 1958.
A passible Welles hagiography which offers very little that you won’t easily find in an Encyclopedia.
The moral minefield of Carol Reed’s The Third Man insures its place in the pantheon of greats.
For his final trick, Orson Welles will deliver a fruity, funny film essay. And astonishing it is too!
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