Incoming

Remembering Jules Bass, stop-motion pioneer and creator of Christmas wonder

By Charles Bramesco

Deceased at 87, he and partner Arthur Rankin reigned as kings over midcentury Yuletide nostalgia.

A coalition of actors wants to change how Hollywood sees hair

By Charles Bramesco

Fronted by Kerry Washington, Zoe Kravitz, and Rosario Dawson, the CROWN Act forbids discrimination against natural hair.

Radical artist Nan Goldin takes on opioid barons in the All the Beauty and the Bloodshed trailer

By Charles Bramesco

Laura Poitras' documentary chronicles Goldin's campaign of grassroots activism against the Sackler family.

Pope of trash John Waters will return to directing with an adaptation of his own novel

By Charles Bramesco

Liarmouth: A Feel-Bad Romance marks Waters' first time behind the camera in 18 years.

Everything we know so far about Terrence Malick’s Way of the Wind

By Finlay Spencer

True to form, the elusive American auteur is taking his precious time over his forthcoming Bible epic.

What is Luca Guadagnino adding to his extended cut of A Bigger Splash?

By Charles Bramesco

The director's cut, titled An Even Bigger Splash, will restore 70 minutes of footage cut from the film. To what effect?

Timothée Chalamet chows down in the first Bones and All trailer

By Charles Bramesco

He and Taylor Russell play lovestruck teen cannibals in the latest from Luca Guadagnino.

Answer the door, it’s the first trailer for M. Night Shyamalan’s Knock at the Cabin

By Charles Bramesco

The suspense master's latest is a horror twofer — a home-invasion film and an apocalypse film.

No one can be trusted in the first trailer for Park Chan-wook’s Decision to Leave

By Charles Bramesco

A cop investigating a murder in a wind-swept mountain town falls for the victim's widow in the Cannes prize-winner.

Be a mensch and take a look at the first Armageddon Time trailer, would you?

By Charles Bramesco

Anne Hathaway, Anthony Hopkins, and Jeremy Strong guide one boy's coming-of-age in James Gray's latest.

Saddle up for Walter Hill’s return to the Western in the Dead for a Dollar trailer

By Charles Bramesco

Willem Dafoe and Christoph Waltz cross paths in pursuit of a wayward woman with designs of her own.

Guy Maddin is bringing a new augmented-reality project to London Film Festival

By Charles Bramesco

He's leading today's wave of announcements concerning the 'LFF Expanded' programme of immersive art forms.

Albert Serra wishes you were here in the tropical trailer for Pacifiction

By Charles Bramesco

French Tahiti becomes a picturesque purgatory for a colonialist official in Serra's panoramic latest.

Don’t lose your lunch at the first trailer for the puke-flecked Triangle of Sadness

By Charles Bramesco

Male models, a massive cruise liner, and a whole lot of vomit herald the coming of Ruben Östlund's latest.

A friendship ends with severed fingers in The Banshees of Inisherin’s first trailer

By Charles Bramesco

Brendan Gleeson torches his longtime relationship with Colin Farrell in Martin McDonagh's new dramedy.

Fame devours Ana de Armas as Marilyn Monroe in the first Blonde trailer

By Charles Bramesco

Andrew Dominik's long-awaited not-quite-biopic adapts Joyce Carol Oates' novel for Netflix.

The wooden boy comes to life again in the first trailer for Guillermo del Toro’s Pinocchio

By Charles Bramesco

There's a darker edge to the classic kiddie fable in this stop-motion take with a starry voice cast.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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