In Praise Of

A Goofy Movie hits different as a parent

By Simon Bland

Despite flopping on release, Disney's heartwarming story of a dad trying to bond with his son on a summer road trip has become a cult classic – especially for people with children of their own.

Remembering Souleymane Cissé: An Uncompromising Pioneer of African Cinema

By Nadira Begum

A trailblazer on the global cinema stage as well as in his home of Mali, Souleymane Cissé's cinema of imagination changed the world.

The radical DIY miracle of Marble Ass

By Fedor Tot

Born out of Belgrade's underground scene in 1995, Želimir Žilnik's celebration of a tight-knit community of sex workers has a particular power in today's increasingly divided society.

Yi Yi, or Y2K

By Mick Gaw

Edward Yang's 2000 masterpiece about a middle-class family in Taipei might be the defining film of the millennium.

Eternal Sunshine of the Spotless Mind: A Cure for the Ghosted

By Savina Petkova

After a cruel break-up, a writer finds comfort and relief in Michel Gondry's offbeat 2004 romantic drama.

Double Indemnity and the banality of evil

By Darren Richman

The shadow of the Holocaust and the filmmaker's personal experience with it looms large across Billy Wilder's most influential and enduring work.

Fantastic Mr. Fox at 15: a celebration of change and difference

By Cat Searcey

In his stop-motion adaptation of Roald Dahl's classic caper, Wes Anderson highlights the necessity of overcoming a fear of change.

In praise of Stan Brakhage’s most disturbing film document

By Tyler Thier

This Halloween, no body horror fiction can compare to the haunting revelations of Brakhage's 32-minute film The Act of Seeing with One's Own Eyes.

A third predator in these woods: Gone Girl at 10

By Riley Rogers

A decade after its release, David Fincher's thrilling adaptation of Gillian Flynn's novel about a woman scorned retains its unnerving power.

The timeless fluidity and androgyny of Purple Rain

By Ariana Martinez

As Prince's groundbreaking feature debut turns 40, its daring attitude towards gender and sexuality still feels revolutionary.

Shopping ’til you drop: Paul W.S. Anderson’s anarchic debut at 30

By Fran Bowden

Three decades on from its release, this 90s thriller echoes the disenfranchisement of young people and sensationalisation of shoplifting.

Pills, thrills and bellyaches: the lost underworld of Human Traffic

By Billie Walker

Twenty five years on from its release, the rave culture of Justin Kerrigan's ode to doomed youth is all but lost.

How 10 Things I Hate About You made Shakespeare hot property

By Nadira Begum

25 years ago, Gil Junger's spiky teen romance reinvented The Taming of the Shrew – and made Shakespeare cool again.

Why I love Kevin Conroy’s performance in Batman: Mask of the Phantasm

By Kevin Bui

The voice actor brought his life experience to the role of the Caped Crusader, and in the process gave us a batman for the ages.

Why Shaolin Soccer is the greatest football movie ever made

By Cian Tsang

By combining his signature absurdist style and sincerity with the beautiful game, Stephen Chow created an exhilarating and unconventional sports movie that captures the highs and laws of football.

Green Snake and the search for belonging in a hostile world

By Xuanlin Tham

Celebrating its 30th anniversary, Tsui Hark's take on a Chinese folktale is a breathtaking allegory for our inhospitable world.

Sadness with Pizzazz: The Saddest Music in the World at 20

By Theo Rollason

Two decades after its release, Guy Maddin's eccentric Prohibition era satire speaks to a contemporary obsession with corporatising pain.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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