By Matt Thrift
The cult director discusses his long-awaited return to mainstream filmmaking with Color Out of Space.
By Elena Lazic
The director of Portrait of a Lady on Fire discusses her monument to female artists and their intense gaze.
The Lourdes and Amour Fou filmmaker on her unsettling English-language debut, Little Joe.
By Elena Lazic
The co-stars of Céline Sciamma’s sumptuous period romance discuss the intimate – and political – nature of the film.
The South Korean master dissects his deliciously dark capitalist satire, Parasite.
The screen legend on going full seadog in Robert Eggers’ paranoid fantasia, The Lighthouse.
The star of Clint Eastwood’s Richard Jewell talks making the step up for his first lead role.
By Neil Fox
The director’s ongoing restoration project, byNWR, is breathing new life into forgotten cult movies.
The star of The Personal History of David Copperfield on his love of acting and his move into directing.
By Matt Thrift
Fiammetta Profili reflects on her time working with Federico Fellini during his final decade.
The rising star of Luce and Waves talks subverting expectations and stereotypes of black masculinity.
The filmmaking siblings take us on a tour of New York’s Diamond District, the setting for their sensational Uncut Gems.
The writer, director and star of Motherless Brooklyn talks New York, noir and making musical acquaintances.
One of Britain’s best documentary filmmakers trades on-camera interviews for archive footage in Shooting the Mafia.
With her eerie debut feature Atlantics, the actor-turned-director has delivered one of the year’s finest films.
The Australian writer/director on why her brutal new film The Nightingale is about love, not hate.
By Nick Hasted
The US actor surveys his career, from Something Wild and Goodfellas to Marriage Story and Sopranos prequel The Many Saints of Newark.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
