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Exterior of a cafe, two men sitting at a table in the foreground, one wearing a suit and the other a checkered shirt, text 'A bout de Souffle' on the storefront awning.
Festivals

New Wave – first-look review

by Sophie Monks Kaufman

Richard Lin­klater’s homage to the film­ing of Jean-Luc Godard­’s Breath­less brings pre­cious lit­tle new to the sto­ry of the New Wave.
Dark, moody interior scene with bold, contrasting colours of green, red, and blue. Human figure sits hunched in the foreground, partially obscured by the cluttered environment.
Review

It’s Not Me review – an innovative homage to Carax’s main muse

by David Jenkins

Leos Carax delves through his own per­son­al archive in this glo­ri­ous essay film that’s in thrall to Jean-Luc Godard.

4
Anticipation
4
Enjoyment
4
In Retrospect
Vibrant red and yellow abstract painting with bold brushstrokes on a black background.

Inside the design world of Jean-Luc Godard

by Arijana Zeric

A new exhi­bi­tion at the ICA explores the role of typog­ra­phy in Jean-Luc Godard­’s filmography.
A person with long hair and pierced facial features holding a lit cigarette and microphone.
Not Movies

The Eurotrash guide to Jean-Luc Godard

by Adam Woodward

The late French New Wave icon was affec­tion­ate­ly sent up on the cult 1990s late-night show.
A man in a suit holding a vintage movie camera on a busy city street.
In Praise Of

Films to last a lifetime – RIP Jean-Luc Godard

by David Jenkins

In mem­o­ry of one of cinema’s most for­mi­da­ble and pathfind­ing tal­ents, who has died at the age of 91.
Smiling man holding paper in red-walled room with masks on shelves behind him.
Review

The Inheritance

by Madeleine Seidel

This cre­ative riff on Jean-Luc Godard’s La Chi­noise explores the pow­er of Black activism and community.

4
Anticipation
4
Enjoyment
4
In Retrospect
Old cinema building with graffiti-covered walls, a person standing in front of it.
On Location

On Location: The graffiti wall from Sympathy for the Devil

by Adam Scovell

Vis­it­ing the West Lon­don res­i­dence fea­tured in Jean-Luc Godard’s leg­endary Rolling Stones essay film.
Vivid swirls of red, yellow, and blue against a dark backdrop.
Review

The Image Book

by Abbey Bender

A unique, typ­i­cal­ly oblique late-career won­der from French mas­ter New Wave god­head Jean-Luc Godard.

5
Anticipation
4
Enjoyment
4
In Retrospect
Vivid swirls of red, yellow, and blue against a dark backdrop.
Trailers

Watch the brand new trailer for Jean-Luc Godard’s The Image Book

by David Jenkins

The vet­er­an French auteur’s Cannes-win­ning lat­est arrives in cin­e­mas and on MUBI next month.
Two people, one a young man in the foreground and the other an older man in the background, both in black and white. The foreground figure is wearing a striped shirt and appears to be facing the camera.
In Praise Of

Why I love Jean Seberg’s performance in Breathless

by Adam Scovell

The Amer­i­can star led some­thing of a trag­ic life, but she will for­ev­er be remem­bered for her role in Jean-Luc Godard’s debut feature.