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Black-and-white crowd scene, people wearing hats, one woman's face in the centre.
Review

The Girl With The Needle review – politically pertinent Gothic horror story

by David Jenkins

Mag­nus von Horn brings sub­tle­ty and empa­thy to the ser­i­al killer genre in this extra­or­di­nary true-life yarn.

3
Anticipation
4
Enjoyment
4
In Retrospect
Collage of diverse human faces and expressions, including a man with a beard, a young girl, a woman in traditional Asian clothing, and a well-known public figure.
Home Ents

What to watch at home in May

by Anton Bitel

A goth­ic ghost sto­ry, a Tokyo love sto­ry and a Bob Hoskins clas­sic are among the high­lights head­ed for new edi­tions this month.
Close-up portrait of a woman with dark hair, wearing traditional Middle Eastern or South Asian jewellery and head covering.
Interviews

Ariane Labed: ‘It’s a fight if you want to shoot on film’

by Vince Medeiros

On the ground at the Thes­sa­loni­ki Film Fes­ti­val, we caught up with one of our favourite actors to dis­cuss her new role in goth­ic delight, The Vourdalak.
Man in fur-lined coat and naval cap, black and white image.
Festivals

El Conde – first-look review

by Hannah Strong

Pablo Lar­raín imag­ines Augus­to Pinochet as an aged vam­pire crav­ing death in his goth­ic satire, which marks his first for­ay into horror.
Woman in blue dress and grey shawl stands amidst old wooden crosses in grassy field, with mountains in the background.
Review

The Wonder

by Lillian Crawford

Sebastián Lelio’s 19th-cen­tu­ry dra­ma dwells in the goth­ic-bucol­ic as a nurse watch­es over a girl who has sur­vived months with­out food.

3
Anticipation
4
Enjoyment
3
In Retrospect
Three women wearing traditional medieval dresses and headdresses, standing in a dimly lit interior setting.
Incoming

Robert Eggers’ Nosferatu remake is a go, with Anya Taylor-Joy on board

by Charles Bramesco

She’ll play the ripe-necked vic­tim of Orlok the vam­pire in the new take on FW Murnau’s Goth­ic classic.
A woman with long blonde hair screaming in an intense, frightened expression.
Home Ents

Discover this cutting-edge, Gothic-inspired ’80s slasher

by Anton Bitel

Star­ring Lin­da Blair as a text­book final girl, Tom DeSimone’s 1981 Hell Night offers an effec­tive blend of hor­rors old and new.
Image shows a theatrical scene with a woman in a white dress performing on a stage, and a man sitting at a desk in the foreground. The stage is surrounded by dark, shadowy figures. The scene has a moody, dramatic atmosphere with deep blues and shadows.
Home Ents

Discover the sole horror film produced during the Soviet era

by Anton Bitel

Viy, Kon­stan­tin Ershov and Georgiy Kropachyov’s 1967 Goth­ic chiller, boasts spec­tac­u­lar visu­als and effects.
Car driving through countryside; Stately mansion; Lakeside with gazebo; Stately home on grounds
On Location

On Location: The rural mansion from Night of the Demon

by Adam Scovell

Jacques Tourneur’s clas­sic take on MR James’ Goth­ic chiller makes use of a part­ly-fic­tion­al Eng­lish estate.
Person in blue hooded jacket standing in forest.
Review

Relic

by Aimee Knight

The spec­tre of demen­tia haunts Emi­ly Mor­timer and Bel­la Heath­cote in this taut Aus­tralian Gothic.

3
Anticipation
4
Enjoyment
5
In Retrospect