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Colourful tropical landscape with two black figures silhouetted against the sunset ocean and islands below.

Why it’s high time we started appreciating the art of 3D cinema

by Ben Schwartz

As Avatar 2: The Way of Water heads into cin­e­mas, it’s worth recon­sid­er­ing the strange, polar­is­ing world of 3D, and what it can bring to the big screen.
Illustration of a smiling man with wavy blue hair and a beard, wearing a white uniform with yellow trim. The image has a radiant, vibrant style with sunburst patterns in the background.
Interviews

Ruben Östlund: ‘I was interested in beauty as a currency’

by Ella Kemp

The two-time Palme d’Or-win­ning provo­ca­teur chats ide­al­ism, misog­y­ny and mod­el­ing as Tri­an­gle of Sad­ness hits cinemas.
A man in a suit holding a vintage movie camera on a busy city street.
In Praise Of

Films to last a lifetime – RIP Jean-Luc Godard

by David Jenkins

In mem­o­ry of one of cinema’s most for­mi­da­ble and pathfind­ing tal­ents, who has died at the age of 91.
Four young women sitting on a sofa in a dimly lit room, holding drinks and looking at something off-camera.

The art of partying, as depicted by teen movies

by Sammi Gale

As Bod­ies Bod­ies Bod­ies hits cin­e­mas, it’s time for a tour of the best (and worst) teen house par­ties on screen.
Close-up portrait of a smiling Asian woman wearing glasses against a dark background with pink and blue lighting.
Interviews

Mamoru Hosoda: ‘When it comes to the internet, reality has overtaken fiction’

by Kambole Campbell

As Belle hits UK cin­e­mas, the acclaimed Japan­ese direc­tor talks Digi­mon, vir­tu­al cityscapes, and par­ent­hood in the dig­i­tal age.
Rock band performing on a rooftop, with crowd watching. Guitarist, drummer, and other musicians on stage.
Incoming

Peter Jackson will bring The Beatles’ famed rooftop concert to IMAX cinemas

by Charles Bramesco

The high­light sequence of the recent Get Back doc­u­men­tary will be seen as nev­er before.
Two people, a man and a woman, sitting in a church pew. The man wears a suit and tie, while the woman wears a coat. The setting appears to be a traditional church interior with pews and decorative elements.
In Praise Of

Why Harold and Maude remains one of cinema’s great survivor stories

by Zoe Kurland

In Hal Ashby’s uncon­ven­tion­al 1971 romance, the cen­tral pro­tag­o­nists have very dif­fer­ent ideas about life and death.
A woman with dark hair and a serious expression, wearing a red coat, standing in a doorway.
In Praise Of

Why I love Rachel Weisz’s performance in The Deep Blue Sea

by Sophie Monks Kaufman

In Ter­ence Davies’ post­war melo­dra­ma, she turns Hes­ter Col­ly­er into one of cinema’s great trag­ic heroines.
Two people, a man and a woman, browsing bookshelves in a library or bookshop. The man is wearing a casual outfit while the woman has long blonde hair and is wearing a floral dress.

Love in the Library – A brief guide to one of cinema’s most erotic spaces

by Susannah Goldsbrough

From Gone Girl to Atone­ment to Moth­er­ing Sun­day, libraries have long fea­tured in scenes about sex and sexuality.
Anime-style mecha robot in red and black, with a fearsome expression, standing in a grassy field.
Review

The End of Evangelion

by Kambole Campbell

Back in cin­e­mas this week, Hidea­ki Anno’s fea­ture-length finale breaks hearts, bod­ies, and the fourth wall.

5
Anticipation
4
Enjoyment
5
In Retrospect